774 - Our square is cross-braced
Skorsas whips his mouth away from me as if he’s been caught in a crime. He blushes as if he’s swapped skins with Kallijas again. Chevenga laughs. I grab Skorsas’s hair with both hands and yank his head back to where I want it, yelling “Nononononononononono DONNNNNN’T STOPPPPPPP AIIIIGGGGGHHH!” Chevenga laughs harder, wiping his eyes; Kallijas is trying hard not to let a grin crack during such a significant moment, but lets it a bit anyway. I wrestle with Skorsas’s head until he says “Ah, fikket,” and dives back into me again.
With the pause, I’ve lost height, but I’m soon rising again. In fact it’s all the more intense for having my omores and my paladin running their eyes over my body appreciatively as the waves of pleasure roll through me, making me arch and toss. Kall glances elsewhere, looking like he wants to sidle away, then back, as if maybe he wants to stay, but isn’t sure what he should do if he stays. Chevenga takes his hand.
“It seems to me we have two choices, love,” he says. “We can either keep watching. Or we can assist in the heightening of their ecstasy. What do you think?”
“Well, um… I guess… em… we could.” Kall is gorgeous in bed as you know, but has the Arkan problem of not being able to talk about it much worse than Skorsas.
“We could do either,” Chevenga says. “And were we to take the more active part, either of us could do either. Else two of us on one, or on the other. And then there’s the question of which of our parts touching which of whose…” He’s looking at me with his quirky grin as he says this. The fahkad shkavi knows kyashin well that I’m trying to hold myself back now, waiting for this.
Skorsas holds up one naked finger to sign to me “Wait just the tiniest teeniest bit!” then lifts his head, says “IhaveanopinionI’llsayinamoment!” while I’m whimpering, then sets his flame-tongue dancing on me again, making me dance on it.
Curse them, I can’t hold back any longer. I come like lightning, like volcanoes, like diving, like dying, like the Earthsphere made of my body shattering, like my bones turning to iron then melting. My omores’s silly-grinning face dissolves then reforms like diamonds and rainbows and sparks of every colour in my eyes. I lie limp and astonished.
He’s laughing again. Skorsas is staring at me pop-eyed, his hand over his mouth. His chin is wet. Ama Kalandris… how in a thousand years could an Arkan, or a thousand Arkans—men or women—ever know that women ejaculate, too? I start laughing. “But, but, but!” he sputters. “I didn’t know that was possible! My little prof—great noble God… can women for women father children with each other?” Chevenga looks like he’s about to fall down laughing. Even Kall is giggling a bit now. He knew about this, of course, because he’s actually had sex with me.
“There’s no seed in it,” says Chevenga. “Ask Kaninjer, he knows all about it. We have other things to do right now, though… what was that opinion you have that you mentioned?”
“Right,” Skorsas says, wiping his lips delicately with the edge of the bed-sheet. “My opinion is that all four of us should cancel whatever commitments we have, giving whatever excuses are necessary, and stay here all day having sex.”
“Chalk,” Kall and I say at the same time. He can skip a day at the School of the Sword. I can tell my teachers to take over at the School of the Wing, splitting my students between them.
It’s just Chevenga who’s hesitating. I know why: sheer mindless mercilessly-ground-in habit. You don’t forget carrying the world on your shoulders that fast.
I watch his face, watch the realization steal over it, lightening his features, smoothing away the creases of strain and worry, turning back the years so he looks more boyish again, a smile sneaking onto his face probably without him even knowing it, like clouds moving off to let through the sun so the whole face of the sea and land gets brighter.
“I have no commitments,” he says.
He throws himself across the bed beside me, head back, arms and legs spread wide. And we are all laughing, almost more with joy than with how funny it is.
Oh Piatsri… what a day it was. For the morning, Chevenga and Kallijas made Skorsas and me the centerpiece always, getting us to take every possible position that a woman-and-man couple can take, while they did various things to enhance our ecstasy. After that it was more free-for-all, like we always had sometimes, except that now the one break in our spars was gone. No one had to carefully or civilly or casually avoid anyone else, or help anyone else do it.
Our square is cross-braced. And always will be, Piatsri! I can’t see us ever going back. Why would we?
I am not in love with Skorsas. Well, I am not in love with Kallijas either, as I am in love with Chevenga. But we can now have sex-between-friends, as they call it in Yeola-e, and ohhhhh what sex. Besides, you know how love is… it can grow. Even like those tiny plants clinging to wind-scraped rock, it can grow. I know he and I feel warm toward each other in a way we never did before. So, you never know.
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Comments
It's an interesting thing.
As my own skill in writing pornography grows (that's not a thing I thought I'd ever say), so, apparently, does my skill in appreciating it. You know how it is, the non-sculptor sees a beautiful sculpture and says, oh how beautiful, and the sculptor sees and admires every stroke of the chisel. And so I feel qualified to say:
This is fiiiine porn.
Thank you, Toast
I'm sure this is the same for you: I'm always aiming for excellence in writing, no matter what kind of writing I'm doing.
That's *it?*
Sigh. Okay. Still voting for C-K-S-N. Mooorrreeee.....aaaahhhhhggghhhh....
Yes- this is getting to be a
Yes- this is getting to be a very long and smutty letter, but it seems like a good juncture for another participant in the festivities to take over the highly-detailed narration (hint hint).
Agreed
Agreed - I mean, Niku's gotta be out of breath by now, right? Not to mention, having her hands kinda . . . full?
We kid.... but seriously, I
We kid.... but seriously, I only wish I could write like this. I've just written the first half of my first effort at a make-out scene. I'm such a blushing prude about writing this stuff. I'm blushing just writing about writing it. And nobody has even shed any clothing as of yet.
SavageKallijas!
Just keep going and it'll get easier. The more sex scenes you write the more the blushing prudeness goes away. It's like anything: the more you over come the obstacles the smaller they get until they go away completely. I'm all intrigued... if you want some tips you can send me what you've got privately, if you like. Showing it to someone is kicking down another obstacle.
Aaaaaiiighhhhhh!!! I'm still
Aaaaaiiighhhhhh!!! I'm still not ready yet! But thank you. Someday, I hope.
I look to you and Shirley for how to do it right.... but as I think I've mentioned in another posting, nothing inspires me to write quite like reading *BAD* fiction, and thinking "I could do so much better than this."
For this particular project, I have spent the last two weeks reading a crap ton of awful "slash" fanfiction. I have never read any fanfic before in my life, because I'd heard that it is the literary equivalent of the grey stuff that grows in the dishwasher drain... and... yeah.
I have, surprisingly, run across a couple of really talented people- but for the most part it is a vast mountain of What Not To Do.
(On the other hand, those folks have at least finished and posted their stuff, which I have to give them props for, as I have not accomplished this as of yet.)
Anyway, I'm hoping it will lower my inhibitions a little... I never knew there were so many sick puppies out there, LOL.
The raunchiest, most twisted things I could possibly come up with are pretty vanilla compared to some of that material... so what do I have to blush about?
I have plenty of time to work myself up to that, though- because it's going to take my MC forever to get into her love interest's pants. He has a lot of issues, and Surya wouldn't take his insurance card.
Simply a lightweight makeout session is going to be really intense for both of them. I'm working on trying to show that earthshaking intensity of a few fully clothed caresses in a way that readers are going to buy into it. I don't think it will work as a standalone scene for that reason. You'd need to be invested in their backstory.
Re: Aaaaaiiighhhhhh!!!
>I'm still not ready yet! But thank you. Someday, I hope.
The offer is open. Due to time constraints I can't do a lot of it, but the offer is still open.
>(On the other hand, those folks have at least finished and posted their stuff, which I have to give them props for, as I have not accomplished this as of yet.)
It's two completely different sets of skills/traits. You can be a terrific writer and suck at self-promotion, or a terrific self-promoter and suck at writing. (I know lots of both.) So don't judge yourself as a writer based on your hesitation, or be down on yourself about this.
>I'm working on trying to show that earthshaking intensity of a few fully clothed caresses in a way that readers are going to buy into it. I don't think it will work as a standalone scene for that reason. You'd need to be invested in their backstory.
All you need for readers to be invested in their backstory is for readers to know enough of the backstory to be invested... which might be a lot less than you think. It would be an interesting challenge... how to put it there enough to create that investment without slowing things down too much or doing one or more expository lumps. For the purposes of sharing with friends, you could provide them a summary of the backstory to read beforehand. Besides, earth-shaking intensity can always be invoked with good enough writing... well, there's the challenge.
Good luck with it. I'm intrigued.
All you need for readers to
All you need for readers to be invested in their backstory is for readers to know enough of the backstory to be invested... which might be a lot less than you think. It would be an interesting challenge... how to put it there enough to create that investment without slowing things down too much or doing one or more expository lumps. For the purposes of sharing with friends, you could provide them a summary of the backstory to read beforehand.
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Do you really think so? Hmm. Part of the problem I'm having with finding the beginning of my story is that I have this conviction that I need to get readers interested/invested early with at least a modicum of character-building. Yet at the same time, I do not want to present boring "day in the typical life" filler (especially in the first chapter). I want to get the show on the road!
When I started the first draft, it began with a fight scene- and during conversations on one of the creative writing sites I hang out on, the point was made that a fight scene isn't really interesting unless/until you have a reason to care about the character(s) and the outcome. Thus beginning a story with a fight scene is a poor strategy for drawing a reader in- and those first few paragraphs are so make-or-break critical in that way.
That immediately made perfect sense to me... but then it was like, "Well, dang, I need to push the fight scene back at least a bit; but things aren't going to truly get cooking until the fighting starts.... now how do I get readers to like my MC and be interested in what happens to her before I *really* start messing up her life?"
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Besides, earth-shaking intensity can always be invoked with good enough writing... well, there's the challenge.
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Yes, that is the very challenge I want. I really want to accomplish that.
I want to focus on the emotive/psychological aspects (both individual and interactive) as opposed to pagesfull of graphic p0rn (not that there's anything wrong with pagesfull of graphic p0rn... that's just not what I had planned for this particular work).
@SK - This is another one
...of those conversations which should be in the "Writing for (sort of) beginners" forum, imo, but last time I tried to shift there it didn't work -- so I'll answer here.
>I have this conviction that I need to get readers interested/invested early with at least a modicum of character-building.
No, you don't. All you have to do is pose the character a problem that anyone can relate to, and if it's enough of a problem, they'll want to keep reading. "I knew I'd barely make it out of the way of the 18-wheeler hurtling toward me--but then I tripped and landed flat on the pavement." You want to read the next sentence, don't you? We are a gregarious species and therefore care about each other, even strangers, enough to want to know what happens to someone just because they're a fellow human.
>the point was made that a fight scene isn't really interesting unless/until you have a reason to care about the character(s) and the outcome.
Pishtosh (how experienced are the writers on that site?) - it can be, if you can cause readers to relate to the point-of-view characters while they're fighting. It just has to be emotionally intense, and to make a fight-scene emotionally intense is easy--you just show the emotions. Readers don't have to know what is stake to know something that is always at stake in a fight scene: someone could get hurt or killed. But it's even easy to let people know what's at stake with fast character thoughts they're using to motivate themselves. I quote me:
If you're at the beginning and so can't explain who all the names are, you can say "for my mother, for my wife, for my home" or whatever. Everyone can relate to family and community. No, starting with a fight scene is not a bad strategy--lots of good books have started with them. It depends on how it's done. And it has the big advantage of launching the plot into a breakneck pace right from the getgo.
>I really want to accomplish that.
It takes a) studying how authors who succeed at it do it, which you're already doing, and b) same stuff it takes to get to Carnegie Hall... practice, practice and more practice. You go girl!
Thank you for the advice and
Thank you for the advice and the encouragement!
You're welcome!
I hope you can make it work to help get what you're going for.